My gut says that the occupations with the higher incidence of divorce are ones that have lower educational/qualification thresholds and in which people may be likely to marry when they are younger. It would be interesting to know if this is backed up by data.
I don’t understand the “record high” point. How did you decide when a “record high” had been reached in a volatile market? Because at $1 the record high might be $2 until it reaches $3 a week or month later. How did you determine where to slice on “record highs”?
Genuine question because I feel like I’m maybe missing something!
The longer answer is; you never know whats coming next, bitcoin could have doubled the day after, and doubled the day after that, and so on, for weeks. And by selling half you've effectively sacrificed huge sums of money.
The truth is that by retaining half you have minimised potential losses and sacrificed potential gains, you've chosen a middle position which is more stable.
So, if bitcoin 1000 bitcoing which was word $5 one day, and $7 the next, but suddenly it hits $30. Well, we'd sell half.
If the day after it hit $60, then our 500 remaining bitcoins is worth the same as what we sold, so in theory all we lost was potential gains, we didn't lose any actual value.
Of course, we wouldn't sell we'd hold, and it would probably fall down to $15 or something instead.. then the cycle begins again..
I wouldn't say that. The current title indicates that the article is likely written in a less clinical manner than an article called "Using computer vision to score rifle shooting cards" would have been.
Thanks for that, now I know I don't care about the contents before clicking. Misleading titles (something about smartphones and metals?) is why people open comments before reading the article
No - just because a title inspires curiosity doesn’t mean it is clickbait. Clickbait titles are urgent and generally either over-egg something or are misleading.
This was just a good title.
Thinking about this a little more: the reason I opened and read the piece was because it inspired questions. First of all, a phone and a brass plug are conceptually different things. So immediately I thought “how can a phone replace a plug? What sort of plug?” Then I thought more about plugs - is it a bath plug? An electrical plug? This doesn’t make sense! How can a phone replace a plug? And then the specific fact it was a BRASS plug made me even more curious. What sort of plugs are made from brass? It’s a strange and specific thing to make a plug from… there’s clearly something I’m missing here and I’d like to find out more. So then I opened the piece, and the quality of the writing meant that, invested in the question as I already was, I didn’t really mind that the answer wasn’t immediate. I was prepared to go on the journey the writer had contradicted for me to find what I needed to know.
That’s why it’s a great title, because the questions it prompted meant that by the time I clicked and started reading I was already mentally invested in the journey.
Would you call titles of other media click bait too, like 1984 or Gone with the wind? Sometimes an article doesn't have to have a literal title, sometimes it's an artistic decision to have a more vague title that nevertheless relates to the media.
The problem is that subjective judgements by streaming platforms on where an AI line is drawn in music production is difficult.
If you human-write a song but use AI to produce a synth stem or bass stem and then mix it down and use AI mastering is that better or worse than if you use AI to help you write something but record with human musicians and a bit of AI assist?
And what if you use AI entirely to write and compose but use human performers to record?
And what if the AI is trained only on licensed content?
> The problem is that subjective judgements by streaming platforms on where an AI line is drawn in music production is difficult.
This may be more of an economic problem. There is a stark difference between a music track with 1% human work/effort, and 0%. You can make many musical tracks if you have to do only 1% of the work, but you can't make >100x what you made without AI (Amdahl's law). While the latter can scale infinitely; you could upload a billion tracks if you wished, you're limited basically by bandwidth and automation. So a classifier or policy which permitted the 99% AI but banned the 100% AI may be adequate.
There's a whole spectrum from sfw to nsfw but we don't give up and allow porn on every platform because drawing the line is "difficult". We can use common sense and taste, with all their flaws.
I wouldn't say that porn is not allowed on every platform. basically every mainstream "content posting" platform (fb, ig, tw, tiktok, etc) allows softcore porn, and in fact pushes it on users, both on content an on advertising. if the same was true with AI music I wouldn't bother with the platform
Honestly, debating these corner cases feels like a distraction tactic. The reality is that the bulk of that 44% is total AI slop: one-sentence prompts entered into Suno to generate 1,000 tracks and extract money from subscribers who stream in the background.
It's the same thing with writing. No one cares that you asked a chatbot to help you reword a paragraph in your essay. The problem is zero-effort slop delivered by the truckload to your social media feed.
But it doesn't. We have a problem. We can focus on addressing the problem without pre-adjudicating every hypothetical corner case.
If your "work" is mostly AI, and if you don't disclose it, it goes to /dev/null. And yeah, you can get into a debate that it's unfair to reject 51% but allow 49%, but that's how the real world works - otherwise, nothing would ever get done. You also get a DUI for BAC of 0.08% but not 0.07%. That's not an argument for putting DUI laws on hold until we can figure out a more perfect approach.
Of course ~nobody wants low-effort "I pasted a one-line prompt into Suno and got this out" in their feed. If they did they'd be listening on Suno and not Spotify. The problem is there's no objective, let alone automated, way to tell the difference between that and the corner cases. Artistic quality is an inherently subjective metric, not something that can be enforced via rules.
The same people who read AI-generated stories about AI. Which is, roughly, most of us. There are AI-generated blog posts on the front page of HN multiple times a day. Right now, I see "I prompted ChatGPT, Claude, Perplexity, and Gemini and watched my Nginx logs", which is AI slop. I'm sure there's more.
Well, even if you are absolutely deliberate against AI slop like me, you might well just fall asleep listening to an ambient album of your top rated human musician, and wake up to AI slop anyway in an hour or two in which your subscription money had been paying those fuckers' instant ramen.
But this can be easily fixed by turning the autoplay, the slop's best friend, off.
Me personally, I sniff AI on Spotify by empty "about" sections. Which is sad as I always held dear that it's the music that must speak for the author, not the vice versa.
The solution is easy, don’t use Spotify.
They are money grubbing vampires leeching off musicians anyway and using your subscription money to fund shady arms companies.
Lots of people are listening to it. There’s an AI brand named “Eddie Dalton” on Spotify right now with 589k monthly listeners and a couple of million streams on its top track. This is one of many.
Lots of people don’t care about whether the music they listen to is human created or not - just as lots of people don’t care about lots of other AI slop so long as they are entertained by it.
The biggest issue for new musicians is getting people’s attention. AI music that people are happy to over human music listen to is absolutely part of the problem.
I agree that this is the biggest problem, but the existing backlog of hits is far that have been recorded since way before I was born is far “worse” in that regard than AI slop.
It’s easy (at least for now) to compete with slop - it’s way harder to compete with e.g. Queen, Eminem and the Beatles.
It’s like saying cancer is a problem when you’re bleeding from a gunshot wound to your chest.
The engagement mechanisms and audiences for heritage artists vs new artists are very different. New artists are not in competition with heritage artists like the ones you mention: those artists are a constant passive consumption baseline against which new active “lean in” consumption needs to fit. A lot of music listening is passive consumption. Start an algorithmically generated “radio” style playlist from one of those big name heritage artists and Spotify will then serve up payola content (baked in in the major label deals, “Spotify Discovery Mode” for indies) that positions new music within that playlist for algorithmically receptive listeners. If AI created music is going head to head in that algorithmic market for listening slots, that has a significant disadvantage for new human-created music.
Big name heritage artists aren’t the problem - they are the thing that underpins a lot of consumption and keeps people coming back to platform.
I can assure you it’s not a corner case: this is one of the things that a lot of creators are concerned about. If a major streaming platform decides your music is not acceptable because you used some AI as part of your production process and blocks your song as a result that has pretty big consequences.
Spotify, for example, already said that any track that gets under 1000 streams will not get any money. What if it says “any track that uses more than a proportion of AI will not make any money” - but refuses to say how it makes those decisions so that people can’t game the system.
You get delivered e.g 5 meals day before, evening for next day
Healthly food, calculated calories, good stuff in general.
When you are living alone then it is really good option because when I calculated my shopping costs then switching to it wasnt more expensive and im eating way better while saving time
I'm guessing those Meals in Boxes as a Service you can subscribe to, where they drop a bunch of calorically deficient, bland, starvation-level meal packs at your doorstep in the middle of the night, and you're supposed to survive on them for the next 24 hours.
Did Luna the AI write this piece of promotional marketing and decide to post it on hacker news? Did Luna the AI create a fleet of new accounts to upvote? Are the human-derived marketing interventions accounted for when the outcomes of this project are assessed?
You can change a name on a flight. There’s a fee perhaps. I don’t know where you are but in most European countries train tickets are valid to the bearer. Dinner reservations, I’ve never once been asked for ID. And indeed I’ve often had reservations made by others for me, or arranged reservations for friends and colleagues from out of town - “I know a great restaurant you’ll like, I’ll reserve a table, just give them my name”.
Hotel bookings - again, the number of times I’ve booked a bunch of rooms for work under my name and then we just assign them at check-in, and the number of times I’ve travelled for work where the hotel room is reserved in someone else’s name.
So yeah, pretty sure this is commonplace that the person who shows up with the chit and can verify certain info gets the access.
And of course, there nothing at all to stop concert tickets being sold to verified buyers and then transferred to other verified buyers.
But during this court hearing it transpired - from emails sent by Michael Rapino - that Live Nation/Ticketmaster’s “Verified Fan” scheme is just a scam to make artist feel like ticketing isn’t the murky Wild West that Ticketmaster knows it is. “Verified Fan” meant almost nothing.
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